MESH #19
2006: Global/Regional Perspectives

MESH #18
2005: Experimenta Vanishing Point

MESH #17
2004: Media Art in the Asia Pacific

MESH #16
2003: House of Tomorrow

MESH #14
2000/2001: Globalisation

MESH #13
1999/2000: Cyberbully

Spring 1993
Cover: from First End by Paul Borderi, part of Experimenta Tour #3: Diversionary Tactics

Events:
MIMA at the State Film Theatre
Dusan Marek Retrospective

Writing:
Film and video, Cain and Abel by Adrian Martin

Vive Les Differences by Freda Freiberg

Video:
'Please Allow Me To Introduce Myself' The Devil You Don't Know by Kevin Murray

Underbelly Of The Psyche: Looking at Alan Sondheim by Andrew Whelan

Interview:
Spotlight on Pale Black Interview with Marie Craven

: : top

Summer 1993
Cover Image: Still from Autarky by Kim Bounds part of a program of new imaging technologies to be presented by MIMA and WIFT(Vic) in February 1994

Contents:
Working With New Imaging Technologies

Celebrating Women 1994

My Memory Your Past; Interview With Moira Corby

Portraits of People Living With Aids and Interactive Documentary by Hazen Reed by Brecon Walsh

Understanding Multimedia

New Image Research

Within the Crystal Palace; City Screens & Metrodome by Steven Ball

Little Statues For Our Loungeroom; an Interview with Arf Arf by Vikki Riley

Tracey Moffat Retrospective by Penny Webb

: : top

Autumn 1993
Front and back cover: still from Empire by Andy Warhol

Contents:
Marl Video Art Prize

John Maybury Program

Pollination with essay by Julie Clarke

Experimenta Update

Facing the 90s Fringe Film & Video Work and its Avant-Garde Status by Barret Hodsdon

Gamegirls: Women Working With New Imaging Technologies by Jyanni Steffensen

Nothing If Not Full-On: The S-Thetix of Cyberdada Films by David Cox

Paula Dawson; The Secret of Happiness by Brecon Walsh

QED Choose Film:Cine Bohemio by Steven Ball

St Kilda Film Festival

Empire

: : top

Spring/Summer 1994

Contents:
Australian Film and Video at Experiment a '94 by Vikki Riley

The Australian Scene by Robert Nery

Grainy, Scratched and Out of Focus by Steven Ball

The Light Of Other Days: Reflections and Refractions on Recent Films by Paul Winkler by Quentin Turnour

Earwitness: Excursions In Sound by Sonia Leber

How To Die: The Films Of Mike Hoolboom by Jack Rusholme

Always Fair Weather (with scattered clouds passing during the day): French Film and Video at Experimenta '94 by Yann Beauvais

Beyond Destination and Desire: An Interview With Ian Rashid by Chris Berry

Eden and After: Stan Brakhage's `A Child's Garden and The Serious Sea' by Adrian Martin

Looking Awry: Experimental Film and Video From Aotearoa New Zealand by Annie Goldson

: : top

Autumn 1995

Contents:
Peter Mudie on Michael Snow

Kevin Murray on the AFC Conference: Narrative and Interactivity

Heather Barton on Linda Dement and Brad Miller

Barbara Allen on Creative Nation

Noticeboard and MIMA presents

: : top

Winter 1995
Front cover: Requiem N.o 1 (Paul Winkler, 1969).

Contents:
Let's Go AIMIA by Dave Sag

Would You Make Love To A Stick Figure? Academic and performance artist Dr Sandy Stone in conversation with Julie Clarke

Look It's Drinking The Water!" It's increasingly difficult to draw a line between good and bad digital art these days by Chris Gregory

Digital Wombs, Male Phantasms and Female Embodiment by Ross Moore

Paul Winkler in Retrospect by Robert Nery

RAM-BAM Thank you M'am by Juna Ann Lam

DISTant Horizons by Jan McConchie

Grim and Darkly Humorous by Brecon Walsh

: : top

Summer 1995
Front cover picture: Still from Rene Clair’s Entr’acte, 1924

Contents:
The Gardening Program.
Jane Goodall on the phenomenon of the Electronic Garden

Paradise Lost? The Avant-Garde & Reprising the "Primitive Moment" of Early Cinema by Barrett Hodson

Ubu Films' 30th Anniversary by Peter Mudie

A Virtual Q & A
The Virtualities exhibition raises more questions on the meaning of and reception for interactive art by Jun-Ann Lam

1995 ISEA Conference by Mike Leggett

: : top

Autumn/Winter 1996

Special Robotica Double Issue

Contents:
Robotica Foreword by Shiralee Saul

Microscope Phakoetre/Espanaphorascope Phlatergometre by Peter Morse

The Information Processing Unit: Robots and Artificial Intelligence by Ann Morrisson

Prosthetic Aesthetics by Laura McGough

New Robots: Cyborgs, Softbots and Avatars by Kathy Cleland

Mapping the Code: Artists Concieving Data-Bodies by Zara Stanhope

Fembots:Sexy Home Appliances by Jyanni Steffensen

Making Robots: An Interview with Ron Newson from Showtronix by Kathy Cleland and David Cranswick

'Default', Marion Harper, Melbourne by Helen Stuckey

Patricia Piccinni + Alison Main, Adelaide by Suzanne Triester

Nothing Natural, Melbourne by Anna Clabburn

Stelarc, Sydney by Brecon Walsh

Digital Primate, Melbourne by James Rowland

Joy Saunders, Sydney by Alex Gawronski

Digital Aesthetics One, Sydney by Cindy Lee

Urban Exiles On-line Gallery by Werner Hammerstingl

Cybercultures, Sydney by Ann Morrisson

Peter Hennessey's I.C.U., Basement Gallery Melbourne by Rosemary Burne

News/ Websites, compiled by Sally Tulloch

: : top

Spring 1996
Front cover inset: Martine Corompt, Cute Machine, 1996

Contents:
Your Place or Mine? Locating Digital Art by Darren Tofts

MESH speaks with festival director, Peter Handsaker

Strangled by An Intestine : An Interview with Guy Maddin by Darren Wershier-Henry

Silver Delirium/Crimes & Confessions by Marie Craven

Stan Brakhage Retrospective by Peter Mudie

To See Through Soiled Eyes; Richard Kern by Lance Sinclair

CD-ROM the 21st Century Bronze (reprinted with permission from the MCA Catalogue for Burning the Interface) Mike Leggett

Listening as Performance: The Reflective Space by Lawrence Harvey

women@art.technology.au supplement

Australian Women Artists and New Media Technologies by Kathy Cleland

Interactivity, Intersubjectivity and the Artwork/Network by Zoë Sofoulis

Sound, Electricity and Women by Deborah Durie

Domestic Disturbances (or Prometheus Housebound) by Shiralee Saul

Martine Corompt's Cute Machines by Helen Stuckey

Jun-Ann Lam's North East South West - the Yellow Peril Virus by Lisa Daniel

Alison Main's Techno-Grammar by Bala Starr

Sarah Waterson's Mapping E-Motion by Zoë Sofoulis

The Body Remembers by Zara Stanhope

Re-possessing the Body by Josephine Grieve

100 Years of Cruelty: Artaud Conference by Antonia Bruns

impact@6months.conf by Gillian Morrison

Digital Gumbo: SIGGRAPH by Simon Britton

Lauren Tan's Octogene by Kurt Bereton

Norie Neumark's Separation Anxiety by Deborah Durie

Garth Paine & Craig Madoc's MQM: an Intelligent Virtual Environment by James Rowland

Suzanne Triester's Dying for Your Sins by Catriona Murtaugh

Angela Valmanesh's Calculations and Deborah Ostrow's Where to From Here by Alison Main

: : top

Spring 1997: Altered States: Pschotropic Visions and the digitally-corrupted gaze

Contents:
Psychotic Reactions: Why we are not Sirius, by Helen Stuckey

Transcendence in Cyberspace: Of virtual and other realities, by Deborah Drurie

Troy Innocent: Memespace, by Darren Tofts

Tim Gruchy: Synthing, by Shiralee Saul

Lindsay Colborne: Serendipity and the road to happiness, by Emily Clarke

Consciousness Reframed: Art and consciousness in the post-biological era, by Taylor Nuttall

The Digital Mirror Stage: Or the pixelated gaze, by Kurt Brereton

Altered States: Metamorphosis and cyberbole, by Shiralee Saul

Jon McCormack: Turbulence an interactive museum of unnatural history

Tina Gonsalvas: Process of becoming, by Jane Leonard

Rebecca Young: Are you happy yet?, by Christine Adams

When Meme Meets Gene: Mindflux, mutagen and the virtual replicators, by Belinda Barnet

Techno-utopianism in Video Art and the Digital New Media: from the ‘Psychedelic’ Sixties to the ‘Cyberdelic’ Nineties, by John Conomos

The Art of Dance, by Benjamin Brady

Norie Neumark’s Shock in the Ear, by Mike Leggett

Psy Harmonic’s Psy Visions, by Jackie Cooper

Drome, by Helen Stuckey

Dorian Dowse: OmTipi

Off The Rails: Introduction to a speculative history of mental imagery in cinema, by Adrian Martin

Browsing MOO_Media, by Ann Morrison

Towards a Mass Psychology of the Net, by Geert Lovink

From the Inside Out: Isabelle Delmotte’s Epileptograph: the Internal Journey, by Kathy Cleland

Naomi Herzog: Playing in Mined Feelds, by Amanda King

pH7.2 ­ Watchtower, by Peter Hennessey

Christopher Langton: PVC satire, by Chris Gregory

The Art of Speed, by D. J. Huppatz

Foreword: Writing in, writing on (a work in progress), by Adrian Miles

Bad Mojo, by Ian Haig

Escape Velocity: Company in Space, by Sophie Hansen

Mark Dundon: U-boats, aeroplanes and cruel seas, by Helen Stuckey

Trick or Treat: An installation by Martine Corompt, Ian Haig and Phillip Samartzis, by Dominic Redfern

William Yang and The North, by Tracey Benson

Cyber Cultures, by Ann Morrison

Trophies of Sickness: An installation by Emily Clarke, by Suzy Morton

Big Banana Time Inc.: Tracey Benson's Uncanny Australia, by Kimberly Miller

Media and Arts Directory

: : top

1998/1999: Game Theory
Cover artwork: Moira Corby

Contents:
Editorial by Keely Macarow

Emergent Culture by Paul Brown

Un Autre Coup De Des.
Multimedia and The Game Paradigm
by Darren Tofts

Audience Participation by Ian Haig

Whose Game by Dirk de Bruyn

Slots of Fun by Laurens Tan

Up the Snakes and Down the Ladders by Steven Ball

Art Scratchy: Spend the rest of your life by Kurt Brereton

Eye Fly Triangular by Paul Rodgers

The Prize is Right by Amanda King

The New Abstraction by David Cox

Anagramatology by Lisa Gye

Body Status by Judy Clarke

The Y2K Problem: Donna Haraway and the modest witness by DX Raiden & Dominic Pettmen

Review: ISEA97 by Norie Neumark

Review: Self Remembering- Home by Werner Hammerstingl

Review: Macbeth Project by Dr Edward Scheer

Media and Arts Directory

: : top