Mesh
Mesh Issue #10
Contents:
Your Place or Mine? Locating Digital Art by Darren Tofts
MESH speaks with festival director, Peter Handsaker
Strangled by An Intestine : An Interview with Guy Maddin by Darren Wershier-Henry
Silver Delirium/Crimes & Confessions by Marie Craven
Stan Brakhage Retrospective by Peter Mudie
To See Through Soiled Eyes; Richard Kern by Lance Sinclair
CD-ROM the 21st Century Bronze (reprinted with permission from the MCA Catalogue for Burning the Interface) Mike Leggett
Listening as Performance: The Reflective Space by Lawrence Harvey
women@art.technology.au supplement
Australian Women Artists and New Media Technologies by Kathy Cleland
Interactivity, Intersubjectivity and the Artwork/Network by Zoë Sofoulis
Sound, Electricity and Women by Deborah Durie
Domestic Disturbances (or Prometheus Housebound) by Shiralee Saul
Martine Corompt's Cute Machines by Helen Stuckey
Jun-Ann Lam's North East South West - the Yellow Peril Virus by Lisa Daniel
Alison Main's Techno-Grammar by Bala Starr
Sarah Waterson's Mapping E-Motion by Zoë Sofoulis
The Body Remembers by Zara Stanhope
Re-possessing the Body by Josephine Grieve
100 Years of Cruelty: Artaud Conference by Antonia Bruns
impact@6months.conf by Gillian Morrison
Digital Gumbo: SIGGRAPH by Simon Britton
Lauren Tan's Octogene by Kurt Bereton
Norie Neumark's Separation Anxiety by Deborah Durie
Garth Paine & Craig Madoc's MQM: an Intelligent Virtual Environment by James Rowland
Suzanne Triester's Dying for Your Sins by Catriona Murtaugh
Angela Valmanesh's Calculations and Deborah Ostrow's Where to From Here by Alison Main
