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Preliminary work
ExperimentaLAB secured
funding in December for the pilot project in Warrnambool from
Arts Victoria’s Creative Community Partnerships.
The ExperimentaLAB Co-ordinator has developed the project
in conjunction with the community over four months. This will
allow 5 local artists
to work with communities in East Warrnambool, as suggested
by Brophy youth services. Brophy Youth Services are providing
support for
the young people for the life of the project.
The Artistic
Director, Executive Producer and ExperimentaLAB, travelled
down to Warrnambool to meet key project partners
on the 2/3rd of February. Meetings were held with Youth Support
Agencies,
Local Council Mayor & CEO and with SWTAFE Director and staff.
The local council are facilitating access to a studio space for
the project in the Fletcher Jones Factory. Council have
also offered access to the local community bus to transport
the young people and other in kind support such as subsidised
childcare. Warrnambool
art gallery, a council facility has been instrumental in brokering
these relationships.
Project Development
Master Classes
Master classes were held in Warrnambool for participant artists
in New Media and CCD practice.
Facilitated by NMA artists Lynette Wallworth and Pip Shea,
5 local artists and 3 work for the dole participants from East
Warrnambool participated in four days of workshops from Feb
28th – Mar
5th.
The workshop content ranged from a series of screenings
of New Media work and work that was created in a community
context. The following brainstorming session came up with two
possible forms for the Warrnambool outcome.
- House of Phone: an
empty house in East Warrnambool with
an installation of several phones in each room. Each phone
will deliver stories and sounds of Warrnambool and its surrounds.
- Television
Tower: A monitor based installation that is operated by riding
an exercise bike to view the content.
A day and a half of
hands on workshops covered stop motion animation, video editing,
sound manipulation and web based
art works. From this a blog has been set-up to facilitate
the evaluation of
the project.
At the end of these workshops the group noted that extra
classes would be required. As such the ExperimentaLAB Co-ordinator
developed a series of hands workshops in animation, video
editing
and Photoshop
during March. These 2 eight hour workshops were attended
by four artists at SWTAFE’s Multimedia Lab. The artists spent
March developing the workshop plan for the young people,
after meeting and liasing with each group on a weekly basis.
There are
now
five
artists as one artist is now based in Hamilton. The artists
overall fee is now split between the five.
Community Workshops
Warrnambool council has facilitated the use of a studio space
for the project in the Fletcher Jones factory. Experimenta
supplied all equipment for this studio space. At present
the workshops have
begun at Fletcher Jones with the skate group every Monday
after school. The skate group consists of up to eight young
people attending, some
more sporadically than others. This group have made 3 short
video works, one of which used stop motion animation techniques.
There
have also been short workshops in 12-volt power and alternative
power solutions for the ball.
The young mothers intensive
workshops took place during the week of April 11th – 15th.
Four mothers attended over four 6-hour days working on imovie
short narratives, based mostly on their
life experience in Warrnambool. The artists picked them up
from home in the community bus, delivered the children to
childcare to help
facilitate the mothers participation in the workshops. One
of the participants suggested a scale model of the silver
ball as the form
to deliver the final content, housing tv ’s & dvd players.
The
artists have been running the space at Fletcher Jones as
an open studio space during the week for interested parties
to drop in and make work. Two local students from TAFE have
utilised this
time weekly.
The artists themselves have been making video works about
the community that worked at Fletcher Jones. Interviews with
past and the few remaining staff members are being combined
with found footage/photographs
of the factory at work. It is through this contact with staff
from Fletcher Jones that a final form for the outcome of
the
project was
formed.
The artists have designed a scale model of the Fletcher
Jones Silver Ball, which will contain screens that will deliver
the content. The silver ball will be made out of fibreglass
and has been commissioned.
The content will be delivered via modified DVD players housed
in a box at the bottom of the structure. These will be triggered
via
riding upon bikes & sewing machines.

Sketch of design for the ball, to operate viewers ride
an exercise bike to operate the screens
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